NEW MEMBERS
NEW MEMBERS
We welcome new members! Ever fancied being someone else? Well, acting is a great way of taking on a new persona. If you've never experienced the buzz of pulling off a dazzling performance and getting acclaim from an appreciative audience, we can give you that opportunity. We like to involve new members as soon as we can, even if that means only a small part at first. If you would rather work behind the scenes, there are plenty of roles for you to make your mark, including set-building and decorating, sound and lighting, props, costumes, make-up, prompt, publicity, front-of-house, refreshments as well as producer, stage manager and director.
We put on two productions a year - in May and November - and occasionally enter drama festivals too. Usually we discuss and select the next play as soon as we can after finishing the last one. After casting, we rehearse on Wednesday evenings for about 3 months, with Mondays added for about 2 months. For the two weekends before performance evenings (usually Wednesday through to Saturday) it's all hands on deck to help build the set, dress and paint it, then do a technical rehearsal.
We welcome new members! Ever fancied being someone else? Well, acting is a great way of taking on a new persona. If you've never experienced the buzz of pulling off a dazzling performance and getting acclaim from an appreciative audience, we can give you that opportunity. We like to involve new members as soon as we can, even if that means only a small part at first. If you would rather work behind the scenes, there are plenty of roles for you to make your mark, including set-building and decorating, sound and lighting, props, costumes, make-up, prompt, publicity, front-of-house, refreshments as well as producer, stage manager and director.
We put on two productions a year - in May and November - and occasionally enter drama festivals too. Usually we discuss and select the next play as soon as we can after finishing the last one. After casting, we rehearse on Wednesday evenings for about 3 months, with Mondays added for about 2 months. For the two weekends before performance evenings (usually Wednesday through to Saturday) it's all hands on deck to help build the set, dress and paint it, then do a technical rehearsal.
ONCE BITTEN
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Fauvinard is a Parisian barrister with no work to speak of, whose formidable mother-in-law noses shamelessly into both his private and business affairs. He and his colleague Tardivaut fabricate a case to create an alibi for their extra-marital affairs.It transpires that both their mistresses live in the same apartment block, and that, unknown to them, Tardivaut's mistress, Zizi, is also involved with Fauvinard's lecherous and narcoleptic uncle. Fauvinard's mistress Césarine, meanwhile, appears to be an accomplice in a jewellery robbery.
When Fauvinard does land a case of his own, his client, who is seeking a divorce, turns out to be the wife of another of Césarine's lovers. Add a vengeful maid,
a vicious, man-hating poodle and a bone-headed Police Commissioner,
and Reggie Oliver's adaptation of the 1875 French farce Le Procès Veauradieux reaches hilarious heights of brilliantly controlled mayhem.